Creating musicians can be wonderfully collaborative – but if you work with a team in a recording studio, things can get more complicated after the last notes have been played, followed, mixed and meshed. A big question for many musicians and independent bands is who will have when the song is ready. Once you have your work for a lease, you`re all ready to make musical masterpieces with your friends and collaborators, without worrying about your future success. Kattwinkel says that if WFH works as an independent musician, it can come at any time to participate in a recording project. So whether you`re a backing singer or session bassist, synthesis programmer or thong arranger, don`t be surprised if you`re asked to check and sign a WFH deal. 2. The “results and revenues” of the manufacturer`s work (i.e. the manufacturer`s or other contributors` work product) are considered “employees for tenants.” 3. The copyright belongs to the employer. Whether you`re a producer, trying to place a great drummer and bassist for a recording session you`re working on, or an independent artist who wants a gifted string quartet to perform tracks on your next release, it`s quite possible that you`ll find yourself in a situation where you`ll find yourself in a situation where you`ll have the musicians sign a Work Made For Hire (also known as Work Made For Hire or WF). WORK-FOR-HIRE Company and Producer recognize and accept that producers provide services as independent contractors. However, for copyright reasons, the manufacturer is considered an “employee-for-tenant” of Artist. The results and revenues of the services of the producer, the master and all the resulting reproductions and the shows they contain are considered “rental works” and the copyrights on and on the master (depending on the underlying composition), as well as between the company/producer and the artist who is entirely owned by the artist or his representatives, exempt from rights invoked by companies and producers or by persons or companies acting on rights or interests by or by companies and/or producers, and the artist has the exclusive right to give copyright to the master on his or her behalf or on behalf of his agent.